![]() I wanted to get out of my small upstate town so badly. I was the third child out of four the classic over-achiever. It really just showed me what could be possible when a giant audience in a room is in sync, all witnessing greatness together.Įven today, when I go see an artist and I see an audience all moving together, that’s when you know you have something for the long-term – when everybody commits and everybody’s fully ‘in’. And it was the greatest concert experience I’d ever seen he was so magnificent. At some point, when he did Lay Your Hands On Me, he laid down and let the audience pass him around. While visiting Cornell University, we took a road trip to Rochester to see Peter Gabriel in concert. “When I go see an artist and I see an audience all moving together, that’s when you know you have something for the long-term.” I didn’t just love that album, I actually murdered that album. And on those road trips, I would play my cassette of Peter Gabriel’s So over and over. I had a driver’s license, and I was able to go visit colleges, taking these long road trips. It felt like this giant, heavy decision: Do I stay in the northeast and keep my parents happy? Do I go to Cornell? Or do I go to be in warm weather and explore a new city far away, which was Tulane ? Towards the end of high school, I was trying to figure out where to go to college. And his lyrics were great: “Ain’t That A Shame…” My father would sing that one to us kids when something wouldn’t go our way. He soundtracked this feel-good vibe in our house with this incredible soulful music. ![]() We had these giant brunches at our house every Sunday Fats Domino would always be playing. Blueberry Hill and Ain’t That a Shame were particular favorites. ![]() The other side of my childhood memories would be my father playing Fats Domino (pictured inset), who he completely loved. “We had these giant brunches at our house every Sunday Fats Domino would always be playing.” We’d sit next to my mom, none of us wearing seatbelts, and we would just be singing at the top of our lungs, “Ohhhh, Mandy!”’ I have three sisters, and there was always a fight two of us went in the front, and two of us went in the back. My mom passed away 18 years ago, and every time I hear Barry Manilow, I get such visceral memories.īack then, we were allowed to sit in the front seat as kids. So, whoever was driving the car, it was a very different experience! My dad was completely into jazz, gospel, he loved Black music. My parents had two different tastes my mom was Simon and Garfunkel and Barry Manilow. That’s the third child of four sisters, something we learn by joining Julie in the front seat of her parent’s car – as she justifies her first choice on her lifetime playlist, back where it all began… 1) Barry Manilow, Mandy (1974) / Fats Domino, Ain’t That A Shame? (1955) Greenwald’s work ethic and competitive spirit, she says, is derived partly from her parents and partly from being “the third child – the classic over-achiever”. “I love the fact I can still contribute a nugget or an idea to an artist, and that can be the idea that makes a difference.” “People ask me, ‘You’re the Chairman of the company, why are you so in the weeds with the artists?’ But I love it,” she says. The most recent destination on that journey represents a position and a professional home she wouldn’t change for the world. Greenwald’s choices span a childhood in upstate New York, through teenage student life in New Orleans, through her formative music biz years at Def Jam, through to the past 18 years of her life, running Atlantic Records alongside Craig Kallman.
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